(Re)Claiming spaces in Indian cinema: A queer reading of the gender dissidence in contemporary Indian films. (Record no. 528827)

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100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Chakraborty, Shatabdi and Suryavanshi, Ravi
245 ## - TITLE STATEMENT
Title (Re)Claiming spaces in Indian cinema: A queer reading of the gender dissidence in contemporary Indian films.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc South Asian Journal of Socio-Political Studies
300 ## - PHYSICAL DESCRIPTION
Extent 25(1), Jul-Dec, 2024: p.134-137
520 ## - SUMMARY, ETC.
Summary, etc The Supreme Court of India has scrapped the archaic Section 377, providing much freedom and space to the marginalized LGBTQIA++ community. The LGBTQIA++ community has been struggling for their rights and identity for ages. They have been mocked upon, looked down upon, and even denied of their mere existence. Most Indian films have portrayed this community in a quite disdainful manner. This paper carefully touches on all the aspects of representation of LGBTQIA++ in Indian Cinema. However, in recent times the Indian cinema has changed its course and many such films have tried to portray such characters in quite a positive light as well. This paper would be an attempt to identify such films which are broadly based on gender disparity, queer culture, and rights of the LGBTQ+ community. By using a critical approach to feminist and trans-feminist film theory and with the help of queer film theory, this paper would try to conceptualize and unfold a utopian world. The methodological tools used in this research are mostly part of the multisensorial methodology for queer studies as well as the visual culture at large.- Reproduced

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Main entry heading South Asian Journal of Socio-Political Studies
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          Indian Institute of Public Administration Indian Institute of Public Administration 2025-01-23 25(1), Jul-Dec, 2024: p.134-137 AR135020 2025-01-23 Articles

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