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    <subfield code="a">Kamath, Harshita Mruthinti</subfield>
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    <subfield code="a">Ksetrayya: The making of a Telugu poet</subfield>
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    <subfield code="b"> Indian Economic and Social History Review</subfield>
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    <subfield code="a">56(3), Jul-Sep, 2019: p.253-282.</subfield>
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    <subfield code="a">K&#x1E63;&#x113;trayya is the attributed author of Telugu padams (short lyrical poems) dedicated to Muvva G&#x14D;p&#x101;la, a form of the Hindu deity K&#x1E5B;&#x1E63;&#x1E47;a. K&#x1E63;&#x113;trayya is commonly described as a peripatetic poet from the village of Muvva in Telugu-speaking South India who wandered south to the N&#x101;yaka courts of Tanjavur in the seventeenth century. Contrary to popular and scholarly assumptions about this poet, this article argues that K&#x1E63;&#x113;trayya was not a historical figure, but rather, a literary persona constructed into a Telugu bhakti poet-saint through the course of three centuries of literary reform. A close reading of selected padams attributed to K&#x1E63;&#x113;trayya reveals the uniquely tangible world of female sexuality painted by the speakers of these poems. However, these padams became sanitized through the course of colonial and post-colonial anti-nautch and Telugu literary reform. In line with this transformation, the hagiography of the poet K&#x1E63;&#x113;trayya was carefully molded to fit a prefabricated typology of a Telugu bhakti poet-saint. Countering the longstanding narrative of solo male authorship, the article raises the possibility that these padams were composed by multiple authors, including v&#x113;&#x15B;yas (courtesans). - Reproduced.</subfield>
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    <subfield code="a"> Indian Economic and Social History Review</subfield>
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    <subfield code="d">2019-11-29</subfield>
    <subfield code="h">56(3), Jul-Sep, 2019: p.253-282.</subfield>
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