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  <titleInfo>
    <title>The emergence of texture</title>
  </titleInfo>
  <name type="personal">
    <namePart>Sliver, Sean</namePart>
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    </role>
  </name>
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  <originInfo>
    <place>
      <placeTerm type="text">Journal of the History of Ideas</placeTerm>
    </place>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>81(2), Apr, 2020: p.169-194</extent>
  </physicalDescription>
  <abstract>Crucial to accounts of complexity is the history of the concept of emergence. Pride of place is generally given to G. E. Lewes, who in 1879 offered a theory of “emergents,” of the unpredictable and incommensurate effects which follow from the crossing of causes. This essay recovers an earlier tradition; it focuses on experiments in seventeenth-century materials science, which explain emergent properties through an appeal to microstructural “texture.” A full appreciation of the modern turn to complexity, of our own ecological embeddeness and the interrelationship of things, requires therefore a return to the warp and weft of seventeenth-century artisanal practice.- Reproduced </abstract>
  <subject>
    <topic>Alina Szczesniak, Emergence, Food Science, Weaving</topic>
  </subject>
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    <name>
      <namePart>Journal of the History of Ideas</namePart>
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    <recordCreationDate encoding="marc">201102</recordCreationDate>
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