| 000 | 01445nam a2200181 4500 | ||
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| 999 |
_c512544 _d512544 |
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| 008 | 191128b ||||| |||| 00| 0 eng d | ||
| 100 |
_aJorgensen, Lydia _913982 |
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| 245 | _aOrganization, atmosphere, and digital technologies: Designing sensory order | ||
| 260 | _bOrganization | ||
| 300 | _a26(5), Sep, 2019: p.673-695. | ||
| 520 | _aWe argue technology and organization are inherently spatial phenomenon. We conceptualize this conjunction as atmosphere: a gathering of mood, human practice, material and environmental conditions, and values that has sufficient coherence and distinction to constitute a distinct interior. Atmospheres, however, are not entirely stable and present: the interior is porous to outside influence, and the interior is never wholly ordered. We show this through the study of digitally mediated architectural design practice. We find the technological mediation of atmospheres is constituted in sensory and affective spatial arrangements, and not in rationally calculated configurations of assets and goals. An atmosphere is inherently aesthetic. This allows us to gesture toward a definition of organization as technologically mediated spatial struggle to reconcile interior coherence with outward exposure. - Reproduced. | ||
| 650 |
_aDigitisation _913983 |
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| 650 |
_aDigital technology _913984 |
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| 700 |
_aHolt, Robin _913985 |
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| 773 | _aOrganization | ||
| 906 | _aOrganisation | ||
| 942 |
_2ddc _cAR |
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