| 000 | 01157nam a22001577a 4500 | ||
|---|---|---|---|
| 999 |
_c514452 _d514452 |
||
| 008 | 201102b ||||| |||| 00| 0 eng d | ||
| 100 |
_aSliver, Sean _920818 |
||
| 245 | _aThe emergence of texture | ||
| 260 | _aJournal of the History of Ideas | ||
| 300 | _a81(2), Apr, 2020: p.169-194 | ||
| 520 | _aCrucial to accounts of complexity is the history of the concept of emergence. Pride of place is generally given to G. E. Lewes, who in 1879 offered a theory of “emergents,” of the unpredictable and incommensurate effects which follow from the crossing of causes. This essay recovers an earlier tradition; it focuses on experiments in seventeenth-century materials science, which explain emergent properties through an appeal to microstructural “texture.” A full appreciation of the modern turn to complexity, of our own ecological embeddeness and the interrelationship of things, requires therefore a return to the warp and weft of seventeenth-century artisanal practice.- Reproduced | ||
| 650 |
_aAlina Szczesniak, Emergence, Food Science, Weaving _920819 |
||
| 773 | _aJournal of the History of Ideas | ||
| 906 | _aCOMPLEXITY | ||
| 942 | _cAR | ||