| 000 | 00961nam a22001577a 4500 | ||
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| 999 |
_c520581 _d520581 |
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| 008 | 220920b ||||| |||| 00| 0 eng d | ||
| 100 |
_aNayak, Supriya _934522 |
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| 245 | _aHow patronage shaped Odissi | ||
| 260 | _aSeminar | ||
| 300 | _a753, May, 2022: p.46-53 | ||
| 520 | _aODISSI was recognized as one of India’s classical dance styles in the early 1960s by India’s central Sangeet Natak Akademi, a government-run institution with the task of preserving, developing, and promoting Indian music, dance, and theatre. Following this recognition, Odissi developed an impressive presence across India and around the world. Currently, practitioners of Odissi can be found in many different parts of the world and the dance has gained visibility and popularity on national and international stages. – Reproduced | ||
| 650 |
_aOdissi, India’s classical dances, _934523 |
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| 773 | _aSeminar | ||
| 906 | _aCLASSICAL DANCES - INDIA | ||
| 942 | _cAR | ||