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100 _aSatama, Suvi and Huopalainen, Astrid
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245 _aPursuing perfection through relationality: Studying the intersubjective dynamics of embodied agency in ballet
260 _aOrganization
300 _a31(3), Apr, 2024: p.523-546
520 _aThis study investigates the relational dynamics of embodied agency in the empirical context of ballet. Drawing on 15 ethnographic and 6 photo-elicitation interviews with professional dancers from the Finnish National Ballet, this study analyses the ways in which ballet dancers negotiate their agency in relation to other agents in their everyday work. We show how ballet dancers have to balance between satisfying the needs of the invisible gaze through different layers of relationality, on the one hand, and aiming to create room for their intimate, embodied experiences on the other. This study contributes to the existing knowledge on agency at the workplace by illustrating how it is grounded in the body in relational ways. By furthering the phenomenological understanding of subject formation as a form of intersubjectivity, this study shows how the working self is always relationally constructed, open to ambiguity and, sometimes, ‘caught between’ achieving agency and the objectifying scrutiny of the self and others between the visible onstage and hidden backstage. Consequently, this study offers in-depth insights into and parallels for intersubjective development in organisations. – Reproduced https://journals.sagepub.com/doi/abs/10.1177/13505084221124190
650 _aBallet, Embodied Agency, Relational Dynamics, Ethnographic Research, Photo-elicitation Interviews, Finnish National Ballet, Workplace Agency, Invisible Gaze, Relationality, Phenomenology, Intersubjectivity, Subject Formation, Objectifying Scrutiny, Onstage and Backstage, Organizational Development.
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773 _aOrganization
906 _aORGANISATIONAL STUDIES
942 _cAR